著者：迈克尔·弗雷姆（Michael Frame），1951年生于美国西弗吉尼亚州，联合学院数学学士、杜兰大学数学博士，著名数学家、分形几何学家，耶鲁大学退休教授。他是与“分形几何之父”伯努瓦·曼德博一起工作近二十年的密切合作者。著有《生物科学中的数学模型》《分形世界： 成长、构建与想象》《分形、图形和数学教育》《厨房科学分形：分形几何学实验手册》等，编有《伯努瓦·曼德博：多维度生活》。 · 译者：毕馨云，台湾清华大学数学系毕业，曾任科普图书编辑十余年，现为自由译者，业余交响乐团大提琴手。译有《这才是数学》《逻辑的艺术》《运动基因》《数字里的真相》《生而为人的13堂数学课》《数学是最好的人生指南》《黑洞战争》等40余种科普图书，其中《数学好有事》获2020年第十届“吴大猷科普著作奖”翻译类佳作奖。

We all know the euphoria of intellectual epiphany—the thrill of sudden understanding. But coupled with that excitement is a sense of loss: a moment of epiphany can never be repeated. In Geometry of Grief, mathematician Michael Frame draws on a career’s worth of insight—including his work with pioneer of fractal geometry Benoit Mandelbrot—and a gift for rendering the complex acc...(展开全部)

In her first seminal book, ON DEATH AND DYING, Elisabeth Kubler-Ross identified the five stages of dying: Denial, Anger, Bargaining, Depression and Acceptance. In the years that followed, it became evident that these stages applied not only to the process of accepting death, but also to accepting other difficult and catastrophic life experiences. With ON GRIEF AND GRIEVING, Kub...(展开全部)

This work stresses the illogical manner in which mathematics has developed, the question of applied mathematics as against 'pure' mathematics, and the challenges to the consistency of mathematics' logical structure that have occurred in the twentieth century.

This work stresses the illogical manner in which mathematics has developed, the question of applied mathematics as against 'pure' mathematics, and the challenges to the consistency of mathematics' logical structure that have occurred in the twentieth century.

This classic study probes the geometric interrelationships between art and life in discussions that range from Plato, Pythagoras, and Archimedes to modern architecture and art. Other topics include the Golden Section, geometrical shapes on the plane, geometrical shapes in space, crystal lattices, and many other fascinating subjects. Includes 80 plates and 64 figures.

In this richly diverse collection of essays, Joseph Brodsky casts a reflective eye on his experiences of early life in Russia and exile in America. With dazzling erudition, he explores subjects as varied as the dynamic of poetry, the nature of history and the plight of the emigre writer. There is also the humorous tale of a disastrous trip to Brazil, advice to students, a homag...(展开全部)

1987年诺贝尔文学奖得主约瑟夫•布罗茨基（1940—1996）是一位跨越了英语与俄语世界的文学奇才。生于1940年的列宁格勒，布罗茨基的前半生在母国苏联度过，他的大部分诗歌成就也是用俄语完成的；1972年，永别故土、定居美国的布罗茨基从零开始学习英语，进而一举成为英语世界最为卓 越的散文大师之一。诚如他在一次采访中所给出的自我认知：“我是一名犹太人；一名俄语诗人；一名英语散文家。” 1986年，布罗茨基荣获美国国家书评奖，1987年荣获诺贝尔文学奖，1991年获选“美国桂冠诗人”。其代表作品有诗集《诗选》、《词类》、《致乌拉尼亚》，散文集《小于一》、《悲伤与理智》等。

Joseph Brodsky was a great contrarian and believed, against the received wisdom of our day, that good writing could survive translation. He was right, I think, though you had to wonder when you saw how badly his own work fared in English. But then perhaps the Russians hadn't expelled a great poet so much as exposed us to one of their virulent personality cults. Yet Brodsky's es...(展开全部)

In this richly diverse collection of essays, Joseph Brodsky casts a reflective eye on his experiences of early life in Russia and exile in America. With dazzling erudition, he explores subjects as varied as the dynamic of poetry, the nature of history and the plight of the emigre writer. There is also the humorous tale of a disastrous trip to Brazil, advice to students, a homag...(展开全部)